Thomas Mosiej asked me if, "I was the girl from Chicago" I said, "I was not." He was sad. The photographer who was originally going to do Tom's portrait called in sick at the last minute and I filled in for her. I guess they both were from Chicago and he was pumped to talk to her about their mutual city. I've never been to Chicago, not yet at least, and was a poor replacement for reminiscing purposes, but he showed me some of his architecture designs of a clock tower that he want's to be his legacy. It was cool. Designed completely in American style, but no one has wanted to commission to build it yet. I hope someone does.
Friday, September 18, 2009
Wednesday, September 2, 2009
Too Abstract
I recently shot this assignment of a church support group and it felt like a dry environment to work in. Maybe 12 people were present and half didn't want to be photographed for sensitivity reasons. It was a big empty church room and the scope of it ran like a church service. So, I attempted to try to shoot things a little more abstract in order to keep my creativity going. It's not often I get feedback from editors on photos. On these, I was told they were different, in a good way, but the editors wanted to know if I had a general overall shot. Mistake: no i didn't. Shame on me: yes. I asked if they were too abstract. And I was told, "yeah, at least for you." What does that mean? Am I not allow to be or incapable of being abstract. Well, bummer either way.
Saturday, August 15, 2009
Huntress
A sneak peak at a project I worked on in Austin, TX while attending the Austin Photo Workshop.
Thursday, August 13, 2009
Thursday, August 6, 2009
Sunday, July 26, 2009
Thursday, July 2, 2009
How Dan lost his legs.
I shot this portrait in early May of Dan McCleary, Founder of the TN Shakespeare Co., for an article in the upcoming Summer '09 issue of the magazine, Shakespeare Scene. The story focus on how the city of Germantown allowed Dan to use their historic rail station as the temporary main office for the company. Dan is doing some great work with TN Shakespeare, it has been fun to a part of it, even if sporadically. I was kind of pumped about this because it was going to be my first published work in an international magazine.
About a month ago, I received an email from the editor saying that one of their advertisers was actually a train company and they had to send them a proof of the entire edition. Their "health and safety" people for this train company became very unhappy with the fact that Dan was standing on the track because it was some sort of "safety risk." So, of course the magazine yields to the advertiser and chops off Dan's legs to remove the tracks without informing me until after the fact. Personally, it seems like a greater health risk to amputate a person in a photo than to show them standing on an empty track to give the image some compositional flavor. But what do I know, I'm just some photographer.
It's a real tragedy, but that's the world we live in right. It was a learning experience for me at least, because next time I'm going make sure to include something about creative control in the contract. Well, the edition of Shakespeare Scene should be out in your nearest Barnes & Noble or Borders bookstore by now, so go see the damage for yourself. I think the photo is on page 28.
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